{"id":4387,"date":"2016-09-29T13:36:03","date_gmt":"2016-09-29T12:36:03","guid":{"rendered":"http:\/\/www.kjellandersjoberg.se\/en\/journal\/posts\/bast-venedig-storpolitik-pa-biennalen-form\/"},"modified":"2016-12-29T13:41:50","modified_gmt":"2016-12-29T13:41:50","slug":"bast-venedig-storpolitik-pa-biennalen-form","status":"publish","type":"post","link":"https:\/\/kjellandersjoberg.se\/en\/posts\/bast-venedig-storpolitik-pa-biennalen-form\/","title":{"rendered":"Best in Venice \u2013 High politics at the Biennale, Form"},"content":{"rendered":"<p>In the article \u201cThe garden of good and evil\u201d, Salka Hallstr\u00f6m Bornhold writes about the high politics of the Venice Biennale 2016, and about the best exhibitions. KS\u2019s pavilion and exhibition \u201dThe Forests of Venice\u201d is illustrated in the article.<\/p>\n<p>Form, no 4, 2016, p. 37<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the article \u201cThe garden of good and evil\u201d, Salka Hallstr\u00f6m Bornhold writes about the high politics of the Venice Biennale 2016, and about the best exhibitions. KS\u2019s pavilion and exhibition \u201dThe Forests of Venice\u201d is illustrated in the article. Form, no 4, 2016, p. 37<\/p>\n","protected":false},"author":1,"featured_media":4385,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_relevanssi_hide_post":"","_relevanssi_hide_content":"","_relevanssi_pin_for_all":"","_relevanssi_pin_keywords":"","_relevanssi_unpin_keywords":"","_relevanssi_related_keywords":"","_relevanssi_related_include_ids":"","_relevanssi_related_exclude_ids":"","_relevanssi_related_no_append":"","_relevanssi_related_not_related":"","_relevanssi_related_posts":"","_relevanssi_noindex_reason":"","footnotes":""},"class_list":["post-4387","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","post_category-press-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.6 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Best in Venice \u2013 High politics at the Biennale, Form | Kjellander Sj\u00f6berg Arkitektkontor<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/kjellandersjoberg.se\/en\/posts\/bast-venedig-storpolitik-pa-biennalen-form\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Best in Venice \u2013 High politics at the Biennale, Form | Kjellander Sj\u00f6berg Arkitektkontor\" \/>\n<meta property=\"og:description\" content=\"In the article \u201cThe garden of good and evil\u201d, Salka Hallstr\u00f6m Bornhold writes about the high politics of the Venice Biennale 2016, and about the best exhibitions. KS\u2019s pavilion and exhibition \u201dThe Forests of Venice\u201d is illustrated in the article. 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